Tika Sumpter and Parker Sawyers, portray Michelle Obama and Barack Obama in the film "Southside with You" (Photo by Miramax). |
LOS ANGELES - Following last year’s successful release
of MR. HOLMES, one of the year’s biggest independent films, Miramax
announced today that it will reteam with Roadside Attractions on
SOUTHSIDE WITH YOU, for which Miramax
has acquired North American
distribution rights from prolific independent entertainment studio IM
Global. Miramax
will partner with Roadside Attractions on domestic
theatrical distribution, which will likely be set for late summer 2016.
Written
by Richard Tanne, who also makes his directorial debut, the film is
inspired by the first date of Barack and Michelle Obama in Chicago in
1989. Parker Sawyers (Snowden, Zero Dark Thirty) and Tika Sumpter (Ride
Along 2, TV’s “The Haves and Have Nots”) star as the future President
and First Lady. SOUTHSIDE WITH YOU is produced by Robert Teitel (Men of
Honor, the Barbershop franchise), Tika Sumpter, and Richard Tanne.
Executive Producers are Stuart Ford, Matt Jackson, Glendon Palmer, John
Legend, Mike Jackson, Carrie Holt De Lama, and Tracey Bing. Legend also
produced and performs the end title song for the film, “Start.”
The
film recently made its festival debut at the Sundance Film Festival and
drew rave reviews. Variety said, “SOUTHSIDE WITH YOU stands as
something unique, even audacious in American independent movies;” The
Hollywood Reporter said the film is “perceptive, intelligent;” and
Entertainment Weekly called the film “charming, soulful and sweet.”
Miramax’s
Rosanne Korenberg, SVP Acquisitions & Co-Productions, has led the
effort to land the title for Miramax
as the European Film
Market/Berlinale officially got underway, with WME Global and Deborah
Zipser as General Counsel on behalf of IM Global brokering the deal. IM
Global has been in protracted negotiations with U.S. distributors for
the past few weeks since SOUTHSIDE WITH YOU’s successful Sundance debut.
Miramax’s
Zanne Devine, EVP Film & Television, said: “The timelessness of
initial romance is beautifully captured in Richard Tanne’s tender and
poetic directorial debut.”
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